Rising out from the unpredictable crosscurrents of the old pueblo of Tucson and bordertown of Nogales, the Flight 13 are ready to begin their ascent. Like the now shuttered Western Plaza, they play straight up rock 'n' roll which is actually an out of left field rarity in these seemingly protracted yet repetitive times. Standing out from the glut of slapdash "We Don't Give a Hit" pretenders, this one lifts off with another top flight mid-fi production from Matt Rendon. Leading off is the potential big hit, "Cast the Night Out" which is like the Resonars and the Chocolate Watchband making their mark at the love-in. "The World that Makes You Mad" features prominent flute flourishes along with a guitar riff that reminds me of getting a haircut and hearing "Lovefool" by the Cardigans overhead at Great Clips. Things get back-to-basics with the stripped down rip cord rock 'n' roll of "Catch a Move On" which recalls the Real Kids and "You Make it Move" by Dave Dee, Dozy, Beaky, Mick & Tich (and later covered by the Insomniacs). Adorned with organ and horns, "No Disappearing" addresses the "The Singer Not the Song" shadows once cast by Rolling Stones and Alex Chilton. The wham-bam highlights continue with the pelting at the windows and spiraling forever changes of "Rain and Love." A guitar tone reminiscent of Duran Duran can be heard in "Venomous Planet." "Ancient Dust" is all ratcheted up with Jaggerisms in the verses until it breaks wide open to a welcomed Chocolate Watchband overlook chorus. "Urchin Mind" percolates up with an electric piano between tremoloed Alice Cooper-ish vocals and considerable David Axelrod beats. The stomping Get Hip sound - that is the '80s garage revival recordings of the Cynics and the Town Cryers, along with their Nuggets & Pebbles bedrock predecessors can be heard in "What They Want." (The band's name is actually a direct reference to the song "Flight Thirteen" by the legendary Tucson '60s combo the Dearly Beloved.) Meanwhile, "The Easiest Thing" veers off in the direction of the desert mirage psych of the Mystic Braves. The Back in the USA shuffling and quavering street rock of "Hassle" laments being forestalled at every turn and connects the dots between the MC5 and CCR. Rock 'n' roll like this has been pretty pushed off the radar and regulated to corners of the internet here in Century 21, however this fringe contains the musical essence of the past and a departing point for take-off. For now, the Flight 13 are ready to breakthrough the everyday holding patterns and take listeners to exciting new destinations.