While existing in the world since 1964, I only recently had the good fortune to encounter this domestic oddity with its tilt towards the Far East. Overall, it’s a now sound record layered with copious vibraphone, wind chimes and marimbas. Further explorations reveal the prominent cross-currents of Latin jazz and samba swirling about at the time of recording. The album is atmospheric in that listeners can hear the separation of the instruments and feel that something different in the air. Wild Orchids starts off with a brisk sense of urgency as the Mandarins quicken the tempo of the old standard “Kisses Sweeter than Wine.” Besides the obvious influences of Martin Denny and Lex Baxter, there are also hues of Tak Shindo as heard in the Sino-Japanese motifs which run throughout the album and are especially pronounced in “Bushi, Bushi.” “The Trolley Song” seems to even anticipate the playfulness of Rolfe Kent’s soundtrack for Sideways with its accordion-led melody. “Bird Train” meets and exceeds its song title with its dashing bongos and a whole Tiki Room of bird whistles. The only ambient sound absent seems to be the rhythm of the falling rain. Don’t expect a profound or earthshaking experience with Wild Orchids, however these sounds float through the speakers like a refreshing Pacific Ocean breeze.